Founder & Director

Jerome Dulin is a Filipino filmmaker, film curator, and grassroots cultural activist belonging to the Ibanag and Apayao ethnic groups of the Northern Philippines. Rooted in his baseline philosophy that cinema is an incandescent vessel for social change, Dulin has spent over a decade dismantling the historical gatekeeping of Philippine media by establishing robust educational, financial, and distributive ecosystems for regional storytellers. He is best recognized as the Founder and Managing Director of the North Luzon Cinema Guild, Inc. (NLCGI), an independent organization dedicated to preserving indigenous culture and amplifying marginalized narratives under the bold manifesto of Reclaiming the Narrative // Disrupting the Space.

🏛️ Visionary Leadership & Community Mobilization

Dulin’s journey began in student activism at the University of the Philippines Los Baños, where he graduated with a degree in Development Communication. Recognizing that standard media platforms limited deep societal dialogue, he transitioned to visual storytelling to confront systemic inequalities.

In 2015, noticing a stark absence of Northern Luzon narratives at national film platforms like Cinema Rehiyon, Dulin launched primary grassroots research alongside collaborator Joseph Arcegono. Their findings exposed a deep regional crisis: local cinema was trapped in mainstream commercial mimicry, indigenous languages were heavily underutilized, and raw local works were routinely dying on student hard drives.

In response, Dulin organized and registered the organization (initially the Association of Filmmakers, Inc.) in 2016. Under his leadership, the Guild pioneered groundbreaking educational and production incubators, including:

  • The North Luzon Film Camp (2016–present): A vital incubator training thousands of youth and student filmmakers across northern provinces.
  • Specialized Incubators: Designing the Danum Film Lab (2022), the Online Film Lab for Regional Stories, and Quarantimes: Short Films from the Regions, ensuring continuity of expression through changing crises.
  • The North Luzon Film Festival: Establishing a permanent, sovereign exhibition space to rescue regional cinema from obscurity and give communities their own mirror.

📑 Grassroots Policy Lobbying & Structural Reforms

Frustrated by institutional gatekeeping, Dulin took an active role in pushing for structural, localized government policies. After early, cold presentations to local legislative bodies in Cagayan—who originally declared that film education was “not a priority”—Dulin altered his strategy.

Instead of backing away, he built broad coalitions with academic institutions, independent groups, and non-government actors to create self-sustaining networks. By demonstrating the undeniable socio-cultural and economic impact of regional filmmaking, Dulin successfully navigated municipal structures. He has worked hand-in-hand with local government units (LGUs) to formalize municipal film programs, ultimately serving as the Festival Program Coordinator of the TugueGIRAW Film Festival for the Local Government of Tuguegarao City. His efforts successfully redirected local public focus toward utilizing cinema for local historical preservation and human rights advocacy.

The Philippine Creative Industries Development Act (RA 11904): On January 24, 2023, Dulin has served as a vital resource speaker and advocate during the development phases of the Creative Industry Bill, championed by Representative Christopher “Toff” De Venecia. His inputs directly focused on decentralizing national funding allocations to protect rural and provincial creative hub.

🌐 International Organizations & Global Alliances

Dulin has seamlessly linked regional Philippine cinema to international human rights networks and global creative funds:

  • The Moleskine Foundation (Italy): Recognized internationally as a Creativity Pioneer (2023) in Milan, Italy. Backed by the Creativity Pioneers Fund, he launched vital translation initiatives to convert community-shot films into the diverse native languages of North Luzon, safeguarding indigenous futures


  • The British Council: Appointed to the Southeast Asian Advisory Council for the Creative Communities Learning Lab under the British Council’s Creative Hubs for Good program. He secured the prestigious Connections Through Culture Grant to co-launch LensesXCulture, an international creative documentary digital lab in partnership with the Scottish Documentary Institute.

  • The Video Consortium (USA): Serves as the community leader for the international non-fiction network’s hub in Tuguegarao City, transforming the locality into a vital node for global journalists, documentary filmmakers, and visual truth-tellers fighting digital disinformation.

  • Global Film Programming: Serves as a global film programmer and consultant, notably working as the Programming Associate for the Kultura Film Festival (supported by Movies that Matter and the Embassy of the Kingdom of the Netherlands) and the Knowmad Short Film Festival / Human Rights and Human Dignity Film Festival in Germany.

  • One Young World: Recognized globally as a One Young World Ambassador (2021), representing grassroots Filipino creative leadership on international platforms.


🎬 Creative & Cinematic Work

Beyond organizing, Dulin is a seasoned creative and supervising producer working heavily in non-fiction and narrative cinema that explores labor, climate change, women’s rights, and indigenous struggles. His ongoing and past cinematic portfolios include:

  • Feature Documentaries: Iti Nalipatan nga Pateng ni Imelda (Imelda’s Forgotten Melody—supported by Anima Studios and FDCP), Finding Edison, and Futu Ana Fuki (Compassion and Vaginas).

  • Supervising & Creative Production: Serving as the supervising producer for Mari Na Mepangngat Kanya Ima, Mepakattu Kan Abaha (Fulbright-National Geographic Storytelling Fellowship), Sketsa na Dagupan, and the acclaimed narrative feature Camarera by Tim Rone Villanueva (CreatePH Films Story Development Grant).

  • Industry Work: Served as the Assistant Director for the Cinemalaya feature Children of the River (2019) and acted as the Casting and Locations Manager for Glenn Barit’s critically acclaimed, award-winning regional feature Cleaners (2019).

Filmmaker, Community Development Educator, and Cultural Advocate

Vergel Joseph “Sef” Arcegono is a prominent Filipino filmmaker, community educator, and grassroots organizer based in the Cagayan Valley region of the Philippines. Guided by the overarching manifesto of Reclaiming the Narrative // Disrupting the Space, Arcegono has dedicated his career to transforming cinema into a vehicle for social impact, critical pedagogy, and community development. As the Co-Founder and External Affairs Officer of the North Luzon Cinema Guild, Inc. (NLCGI), he acts as a vital facilitator—dismantling systemic geographic barriers to film education and building infrastructure that enables marginalized and indigenous communities across the Northern Philippines to command their own representation.

 

🏛️ Grassroots Mobilization & Community-Led Cinema

Arcegono graduated from the University of the Philippines Los Baños with a Bachelor of Science in Development Communication, majoring in Community Broadcasting. This academic foundation heavily shaped his approach to film, steering him away from commercial media models toward deep, grassroots community mobilization.

In 2015, alongside fellow filmmaker Jerome Dulin, Arcegono co-conducted a landmark primary diagnostic study on the state of cinema in Northern Luzon. The research exposed fragmented arts programs, a severe lack of non-fiction documentary filmmaking, and a digital graveyard of local stories locked away on private hard drives due to zero distribution pipelines.

To bridge this structural gap, Arcegono co-founded the North Luzon Cinema Guild, Inc. In his capacity as External Affairs Officer and program designer, he has been a core architect behind the organization’s most vital community interventions:

  • The North Luzon Film Camp (2016–Present): A decentralized training framework that has mobilized and taught basic-to-advanced filmmaking to over 10,000 emerging regional creators.

  • Indigenous Advocacy & Collaboration: Arcegono anchored the programming toward inclusive and holistic development, notably co-pioneering the Tinglayan Film Camp in Kalinga on May 14, 2017—the Guild’s first direct integration with an Indigenous community—alongside cultural workshops tailored for the Apayao Indigenous Peoples.

  • Crisis-Responsive Pedagogies: During the global pandemic, he launched and managed the Online Film Lab for Regional Stories, a continuous, highly accessible digital classroom that sustained creative production and community mental resilience during state-mandated lockdowns.

📑 Policy Lobbying & National Advocacy

Believing that grassroots art must be backed by systemic protection, Arcegono actively engages in policy lobbying and national creative advocacy. He has consistently fought to align local cultural actions with broader, institutionalized state support.

  • Local Government Unit (LGU) Engagement: To institutionalize regional cinema pipelines, Arcegono has successfully negotiated with local municipal structures. He serves as the Festival Program Coordinator of the TugueGIRAW Film Festival for the Local Government of Tuguegarao City, transforming local civic funding into a tool for youth media literacy and historical preservation.

  • National Screenings Coordination: He serves as the Festival Coordinator for the flagship North Luzon Film Festival and operates as an active member of the Secretariat for the Regional Filmmakers Network, a national alignment defending the economic and sovereign space of independent regional artists across the archipelago.

🌐 International Alliances & Global Human Rights Networks

Arcegono has successfully linked the struggles and stories of Northern Luzon to powerful global creative movements, securing international funding and establishing cross-border human rights programming:

  • The Moleskine Foundation (Italy): Recognized internationally alongside his co-founder as a Creativity Pioneer (2023) in Milan, Italy. Honored by the Creativity Pioneers Fund, Arcegono shared his models on how independent film collectives can serve as instruments for peace, collective healing, and social change within post-colonial and marginalized regions.
  • The British Council: He co-utilized the prestigious Connections Through Culture Grant to establish LensesXCulture, a collaborative creative documentary digital lab in partnership with the Scottish Documentary Institute.
  • Climate Story Lab & Environmental Advocacy: Championing the intersection of climate change and indigenous identity, Arcegono was a crucial participant in the Climate Story Lab for his documentary project, I Bannag ta Pancit Batil Patung (The River in the Noodles). The project received extensive backing from Active Vista, Dakila PH, Picture People, and the British Council to weaponize non-fiction film against regional climate vulnerability.
  • Global Film Programming: Bridging international human rights advocacy with local exhibition, Arcegono serves as the Festival Program Coordinator for the Knowmad Short Film Festival / Human Rights and Human Dignity Film Festival hosted by the Knowmad Institut in Germany, as well as a Programming Associate for the Kultura Film Festival—an international human rights showcase supported by Movies that Matter and the Embassy of the Kingdom of the Netherlands.

🎬 Creative Production & Cinematic Impact

As an active producer and industry professional, Arcegono focuses heavily on non-fiction narratives that confront structural disinformation, labor inequalities, and regional histories. His filmography includes:

  • Creative & Supervising Production: Executive producing the documentary short I Bannag ta Pansit Batil Potun (The River in the Noodles) for CIlmate Story lab organized by Dakila Philippines and creative producer for the narrative short Ana Bikhayr (I Am Okay) and other short films from the Guild’s film workshops and competitions
  • Feature Film Narrative Labs: Serving as the producer for director Jerome Dulin full-length feature documentary film Iti Awang ni Imelda (Imelda’s Melodies), which earned production backing under the highly competitive CreatePH Films Film Production Grant from the Film Development Council of the Philippines (FDCP) under SkyLeaf Creatives.
  • Industry Accolades: Acted as the Location Manager for Glenn Barit’s internationally acclaimed, multi-award-winning regional feature Cleaners (2019), the Production Designer for Children of the River (Cinemalaya 2019), and co-produces ongoing documentaries including Finding Edison and Futu Ana Fuki.